Professional photographer Craig Robinson provides top quality photography at reasonable rates in Berlin, Germany, Prague, Czech Republic and beyond.
Saturday, 7 January 2012
New Year, New Website
Winter is the time I'm normally catching up on my website work. Traditionally this has been a time to add the hottest new photos of the past year, and remove some of the photos wherein the people are wearing bell bottoms and Elvis sideburns. This time around, I'm pleased to announce my entirely new website and domain, a two-in-one jobby which combines praguephotographer.net and berlinphotographer.net into one elegant-yet-simple place: crphotographer.com. This time around I am fully designing the site from scratch--no more templates. I have been learning so much about web design these past years, that I have even designed a site or two as side projects.
I am still based in Berlin and commuting to Prague for winter weddings, portraits and events. But rather than work on two websites individually, I've decided on one main site where you can see only the best work I've done in Europe over the past few years. I've put a lot of time and effort into this new site, so if you happen to find this blog, please check out my new site and let me know what you think. I am adding to it daily now, so it should be out of beta and into alpha (or is it charlie?) in no time.
As usual, I am available for event photography, weddings and portraits anywhere in Europe. Contact me for a quote for your photography project today. And happy new year!
Tuesday, 8 November 2011
Location, Location, Location
I just got off the phone with a client from the UK. Since she would not be present at the
scheduled shoot in Germany,
she had some questions regarding how I would handle the photo shoot. This made me realize that what I do for a
living as a photographer isn’t as easily understood as I had assumed. Simply put, I am a location
photographer. I pick up my gear and go
on location to do events, weddings, portrait shoots, photo reportage,
documentary photography, exhibitions, architecture and travel photography—and
I’ve been doing so for more than 15 years on two continents.
There is a big difference between a location photographer
and a studio photographer. A studio
photographer deals with control: lights,
backdrops, seating, posing and repetition.
This formulaic approach to photography allows the studio photographer
maximum output with minimal input. This
is also why the studio photographer is cheaper than a location
photographer.
I have also been asked if I have my own studio by prospective clients, to which I would like to reply “Of course not! Where is the creativity in that?” What separates a location photographer from a studio photographer is flexibility. My photography education and experience have taught me that flexibility is the best piece of gear in my pack. Naturally, I have worked in a studio environment as part of my photography experience, but I prefer the creativity and freedom of location work. Also, the latest digital technology allows me to carry a micro studio with me and emulate the results of a studio environment anywhere in the world.
I have also been asked if I have my own studio by prospective clients, to which I would like to reply “Of course not! Where is the creativity in that?” What separates a location photographer from a studio photographer is flexibility. My photography education and experience have taught me that flexibility is the best piece of gear in my pack. Naturally, I have worked in a studio environment as part of my photography experience, but I prefer the creativity and freedom of location work. Also, the latest digital technology allows me to carry a micro studio with me and emulate the results of a studio environment anywhere in the world.
I explained to my client that I would arrive early, speak to
my on site contacts and go over all of the logistics of the shoot, get an idea
of exactly what they want, scout the location for lighting, angles, etc. and
give them everything they ask for in the final images. As a location photographer I am able to
handle any eventuality and I possess the expertise to solve any problem which
may arise.
This is what separates the garden variety studio photographer in his/her controlled environment from the seasoned location photographer. This is also one of the reasons I enjoy location work: every shoot is unique, there are no formulas. And my talent, skill and experience shows in every photo shoot I take on. I look forward to my upcoming assignments in Berlin, Leipzig, Prague and beyond...
This is what separates the garden variety studio photographer in his/her controlled environment from the seasoned location photographer. This is also one of the reasons I enjoy location work: every shoot is unique, there are no formulas. And my talent, skill and experience shows in every photo shoot I take on. I look forward to my upcoming assignments in Berlin, Leipzig, Prague and beyond...
Wednesday, 5 October 2011
Your Event Photographer in Berlin and Beyond...

Part of why I love being a freelance photographer is the wide variety of events I am commissioned to photograph each year. Each event I cover is unique: the day of photographing speakers and guests may end with an evening boat trip down the Spree River or a walk to a fine restaurant in a historic Berlin building.
Recently I had the pleasure of photographing a convention for a
large French company visiting Berlin.
The evening festivities included a visit to a fantastic space called ewerk, a
renovated electric power plant from the early 20th century. The industrial feel
was very apparent in every detail of the massive brick structure. An iron
spiral staircase led to a cocktail mezzanine overlooking the main dining hall, where
huge iron hooks and pulleys hovered over the dinner guests. Compared to many of
the cramped, tiny cellars and alleyways of other European cities I've worked
in, ewerk is a spacious change of pace.
Part of the fun of photographing events is the surprises: a singer dressed as Marlene Dietrich appeared in a spotlight and began a retro vocal tribute to Berlin's 1930s cabaret swing era. Later, she effortlessly transformed into a version of Edith Piaf with a rendition of La Vie En Rose so perfect she received massive applause from her French audience. She even invited one of the guests on stage to accompany her for her big finale.
I very much enjoy documenting
events in Berlin and beyond. Feel free to contact me for a quote for your
next event or convention. I look forward
to it.
Wednesday, 3 August 2011
Portrait Photography Workshops in Berlin
If you've ever wondered about what it takes to take a good portrait and would like to polish your people skills:
http://www.gaudycafe.com/event/portrait-photography-workshop-2011-08-21
I'm teaching a portrait photography workshop at St. Gaudy Cafe in Berlin - Prenzlauer Berg on August 21. This four-hour photo workshop will teach you the essentials of good portraiture, which include:
- lighting for mood and effect
- posing your subject
- subject communication and rapport
The workshop fee is only 30 EUR per person.For more information, please contact me through my website.
Saturday, 25 June 2011
Band and Musician Photography in Berlin
Over the last few months I've had the pleasure of photographing several musicians, bands and even a 50 piece orchestra. As a portrait artist I translate ideas and personalities into images.
These are a few of the musical personalities I have enjoyed working with in Berlin and Prague recently.
These images represent some of my best work; I hope you enjoy viewing the images as much as I enjoyed making them.

For more band and musician photography in Berlin and Prague please visit my website.

Please contact me to set your appointment for musician or band portraits today.
Monday, 27 September 2010
Autumn Photo Workshops in Berlin
When I'm not out taking photographs for clients I also teach digital photography workshops designed to give amateur photographers a rapid boost in their skills in a short time. I have offered these courses on various weekends in Berlin over the last 2 years and am pleased to announce that I am now offering an 'open date format' for the photo workshops.
What does this mean? This means that if you and your friends are interested in a specific weekend for a digital workshop, you may leave a comment below to request a specific weekend or a specific location. There are two types of photography workshops I offer, both are intensive day courses in exciting locations in and around Berlin.
TACHELES PHOTO WORKSHOPS
- Location: Kunsthaus Tacheles, Berlin Mitte
- Cost: 40 EUR per person
(2 person minimum)
(2 person minimum)
URBEX PHOTO WORKSHOPS
- Full day intensive photo workshops for intermediate level photographers
- Location: various abandoned buildings and historical sites in Berlin and beyond
- Cost: 40 EUR per person
(2 person minimum) plus travel expenses out of Berlin (if necessary)
(2 person minimum) plus travel expenses out of Berlin (if necessary)
To register for a course, please contact me through the contact form below to inquire about a certain date or to be put in contact with other interested students.
Tuesday, 21 September 2010
RAW vs. JPG: Apples to Oranges?
There is a heated debate out there in the photo geek world: do I use RAW or JPG? The RAW geeks like to have their memory cards fill up quickly and then spend hours in the latest version of Photoshop (needed to open the files) to tweak their images. The JPG geeks (like me) prefer to get the shot right in camera, shoot hundreds of images without changing cards, AND get top quality shots.
If you are a RAW geek, I'm sorry to say you CANNOT see the difference in a print from a RAW image or a JPG image set at the highest quality in camera. Unless the print is a ridiculously large size, like a bed sheet. In my work (editorial, wedding, portraits), I can't futz around with RAW files when a client needs 500 pics on a DVD in a few hours. Not to mention, most of my clients wouldn't be able to open my Nikon NEF RAW format files without special software. When I was new to the digital game, I would ask magazine and newspaper editors if they wanted my final shots in RAW, and they unanimously said 'No way! What the hell can I do with a RAW image?'I was having this argument with an art photographer the other day. He insists that shooting RAW is the ONLY way to fly, and implied that if I don't shoot RAW then I might as well give up photography, throw my camera in the garbage and get an office job. Well, art types are sensitive, emotional types so I didn't want to piss in his Cheerios. I just said 'apple to oranges, mate.' Of course he shoots fewer shots than I do and has lots of software and time to tweak RAW images and print gigantic prints for exhibition. I don't. It's that simple. In fact I've only seen prints from my shots once or twice. My clients deal with the original hi-res shots I give them. They get printed into newspapers, magazines or wedding albums. Hardly the need for all that wasted memory card space.
With today's high megapixel digital cameras, you need to keep spending more money on bigger memory cards anyway. Why buy ten 16 gigabyte cards just to say 'I shoot RAW?' So if you are a photographer who shoots RAW, I'm sorry to say you don't know much about the technology. You assume 'bigger file size is better' when in fact the latest cameras get fantastic results with the JPG at the highest setting. But what it all boils down to is this: either you can take a sharp, high quality image that is well-composed, well-lit and beautiful to behold--or you can't.
No amount of megapixels can save you. Most of the RAW geeks I've met only shoot RAW because someone told them to. Like a camera salesman or another photo geek. I've even seen some stock agencies refuse to except anything other than RAW. Well, there are a jillion photographers out there with the latest gear all trying to sell their images in a highly competitive digital world. So someone has to draw the line somewhere. I feel that agencies shouldn't use numbers and file formats as the litmus test for a good photo. I recently joined one stock agency which didn't mention RAW. They just said that if you take pics of birds in the park, your children or the family bbq...don't sign up.
No amount of megapixels can save you. Most of the RAW geeks I've met only shoot RAW because someone told them to. Like a camera salesman or another photo geek. I've even seen some stock agencies refuse to except anything other than RAW. Well, there are a jillion photographers out there with the latest gear all trying to sell their images in a highly competitive digital world. So someone has to draw the line somewhere. I feel that agencies shouldn't use numbers and file formats as the litmus test for a good photo. I recently joined one stock agency which didn't mention RAW. They just said that if you take pics of birds in the park, your children or the family bbq...don't sign up.
This goes out to all the misguided folks who think there is something wrong with shooting JPG. Especially to the one slightly confused bride who told me that she chose another photographer because his camera has more megapixels than mine. Poor dear. And poor me for living in a world of people who buy the megapixel myth or the RAW religion.
For more info on the megapixel myth and RAW vs. JPG, check out Ken Rockwell's highly informative site:
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